Tranceport.3
Capture → arrangement → final print → delivery
01 · Capture
Vinyl records
Playback source
Technics 1200 + new Ortofon cartridge
Club DJ cartridge; exact Ortofon model not established.
Rane MP22 phono stage
“Mostly” in the owner’s wording.
F1TC Finalizer 96K · capture A/D
Analog-to-digital conversion. Processing bypassed for capture.
Pro Tools · Mbox capture
44.1 kHz / 24-bit digital recording
In-box arrangement and editing
Manual, track by track, in Pro Tools.
02 · Final print
Pro Tools digital output
44.1 kHz / 24-bit
F1TC Finalizer 96K · mastering stage
Owner recalls real-time conversion to 96 kHz / 24-bit for insert / processing.
Digital stage — not an analog signal rate.
External analog insert loop
Functional reconstruction; exact DSP position unspecified.
D/AAvalon 747
tube compressorA/DAnalog signal only between D/A and A/D.
F1TC Finalizer 96K · finishing
Output returned to 44.1 kHz / 16-bit.
Alesis MasterLink · final capture
44.1 kHz / 16-bit digital capture.
Two label-delivery versions follow below.
03 · Delivery to label
Two provided versions from the MasterLink final capture
Version 1 · continuous mix
44.1 kHz / 16-bit single mix file.
Index information supplied with a cue sheet.
Version 2 · already indexed copy
Indexed by Scott / team.
Exact second-copy type remains unconfirmed.
Intent: protect the continuous mix from indexing problems.
Physical medium, file format and the exact type of the already indexed copy remain unconfirmed.
Studio capacity and DAT availability shaped the workflow.